SELECTED BIBLIOGRAPHY 

 

- SELECTED BOOKS & CATALOGUE

  PRINT
VERSION

 1970's Alloway, Lawrence.   Michelle Stuart, exhibition catalogue.  Oneonta, NY: State University of New York, 1975.
  Collins, Jim, and Glenn B. Opitz.  Women Artists in America.  Tennessee: University of Tennessee Press, 1975.
  Dittmar, Rolf.  The Book of the Art of Artists Books, exhibition catalogue.  Tehran, Iran: Tehran Museum of Contemporary Art, 1978
  Hobbs, Robert.  Michelle Stuart, exhibition catalogue.  Cambridge: Massachusetts Institute of  Technology, 1977.
    Kent, Sarah.  Michelle Stuart, exhibition catalogue.  London: Institute of Contemporary Arts, 1979.
    Lippard, Lucy R. “Fossils for Michelle Stuart.”  Introduction to Michelle Stuart’s From the Silent Garden. Williamstown, MA: Williams College, 1979.
    --------.  “Points of View: Stuart, DeMott, Jacquette, Graves.”  In From the Center, 109-112.  New York: Plume, 1976.
    --------.  Strata: Graves, Hesse, Stuart, Winsor, exhibition catalogue.  British Colombia, Canada: Vancouver Art Gallery, 1977.
    Michelle Stuart, exhibition catalogue. Bordeaux : Centre d'Arts Plastiques Contemporains de Bordeaux, 1978.
    Michelle Stuart, exhibition catalogue.  Cambridge, MA: Hayden Gallery, Massachusetts Institute of Technology, 1977.
    Michelle Stuart: Paperwork, exhibtion catalogue (text by Sarah Kent).  London: Institute of Contemporary Arts, 1979.
    Munro, Eleanor.  Originals: American Women Artists.  New York: Simon and Schuster, 1979.
    ---------.  Originals: American Women Artists.  New York: Da Capo Press, 2000.
    Rooms P.S. I, exhibition catalogue.  New York: The Institute for Art and Urban Resources Inc., 1977.
    Shapiro, Miriam, ed.  Art: A Woman’s Sensibility.  Valencia, CA:  California Institute of the Arts, 1975.
    Stechow, Wolfgang. Catalogue of Drawings and Watercolors in the Allen Memorial Art Museum, Oberlin College. Oberlin, OH: Oberlin College, 1976.
    STRATA:Nancy Graves, Eva Hesse, Michelle Stuart, Jackie Winsor, exhibition catalogue.  Vancouver, Canada: Vancouver Art Gallery with Lucy Lippard, 1977.
  1980's Alloway, Lawrence.    Michelle Stuart: Voyages, exhibition catalogue.  Greenvale, NY: Hillwood Art Gallery, Long Island University, 1985.
    Armstrong, Elizabeth.  First Impressions: Early Prints by Forty-six Contemporary Artists, exhibition catalogue.  Minneapolis: Hudson Hills Press in association with Walker Art Center, 1989.
    Arrouye, Jean.  L’Art Americaine: Dans les Collections Publiques Francaises de Province 1960-1992.  Toulon: Musee de Toulon, France, 1984.
    Art in the Environment, exhibition catalogue.  Boca Raton, FL: Boca Raton Museum, 1986.
    Beal, Graham W. J.   Michelle Stuart: Place and Time, exhibition catalogue.  Minneapolis: Walker Art Center, 1983.
    --------.  Second Sight Biennial IV, exhibition catalogue.  San Francisco: Museum of Modern Art, 1986.
    Beckett, Wendy.  Contemporary Women Artists.  Oxford: Phaidon Press Ltd., 1988.
    Castle, Ted.   Michelle Stuart: Voyages, exhibition catalogue.  Greenvale, NY: Hillwood Art Gallery, Long Island University, 1985.
    Collischan, Dr. Judith.  Michelle Stuart: Voyages, exhibition catalogue.  Greenvale, NY: Hillwood Art Gallery, Long Island University, 1985.
    --------.  Lines of Vision: Drawings by Contemporary Women, exhibition catalogue.  New York: Hudson Hills Press, 1988.
    Day, Holliday T.  I-80 Series: Michelle Stuart, exhibition catalogue.  Omaha: Joslyn Art Museum, June 1981.
    Duvert, Elizabeth.  “With Stone, Star and Earth: The Presence of the Archaic in the Landscape Visions of Georgia O'Keefe, Nancy Holt, and Michelle Stuart.”  In The Desert Is No Lady.  Eds. Vera Norwood and Janice Monk, 216-222.  New Haven: Yale University Press, 1987.
    Farmer, Jane M.  New American Paperworks, exhibition catalogue.  San Francisco: The World Print Council, 1982.  (Also published in Japanese and Chinese, traveling exhibit.)
    Glaubinger, Jane.  Paper Now Bent, Molded, and Manipulated.  Bloomington: The Cleveland Museum of Indiana University Press, 1986.
    Gouma-Peterson, Thalia.  “Segments of Nature in Time.”  In Michelle Stuart: Small Sculptures, exhibition catalogue.  Wooster, OH: College of Wooster Art Museum;  Kent, OH: Kent State University School of Art Gallery, 1989.
    Hunter, Sam, ed.  New Directions:  Contemporary American Art from the Commodities Corporation Collection.  Princeton, NJ: Commodities Corp., 1981.  Also, Robert C. Morgan, “Abstract Painting: The New Pictorialism.”
    I-80 Series: Michelle Stuart, exhibition catalogue.  Omaha, NE: Joslyn Art Museum, 1981.
    Kotik, Charlotta.  With Paper, About Paper, exhibition catalogue.  Buffalo, NY: Albright Knox Art Gallery, 1980.
    --------.  “Paradise in the Grand Lobby.”  The Brooklyn Museum Bulletin, April 1986.
    Lippard, Lucy. The Eloquent Object, exhibition catalogue.  Eds. Marcia and Tom Manhart, 217-218.  Tulsa, OK: The Philbrook Museum of Art, 1987.
    --------.  West of Ancient Monuments in Ireland: A Sense of Ireland Exhibition, exhibition catalogue.  Dublin, Ireland, 1980.
    --------.  Overlay: Contemporary Art and the Art of Pre-History.  New York: Pantheon Books, 1983.
    McClintic, Miranda.  Directions 1981: Hirshhorn Museum & Sculpture Garden.  Washington, DC: Smithsonian Institute Press, 1981.
    Michelle Stuart, exhibition catalogue.  Den Haag: Haags Gemeentemuseum, 1983.
    Michelle Stuart, exhibition catalogue.  Helsinki: Galleria Exit Kristamikkola, 1984.
    Michelle Stuart, exhibition catalogue.  Hartford, CT: Wadsworth Atheneum, 1988.
    Michelle Stuart: Ashes in Arcadia, exhibition catalogue. Waltham, MA: Rose Art Museum, Brandeis Uninversty, 1988.
    Michelle Stuart: Essence of Place—Paintings, Objects, and Drawings from the Earth, exhibition catalogue.  Chicago: Arts Club of Chicago, 1986.
    Michelle Stuart: Paradisi—A Garden Mural, exhibition catalogue (essay by Charlotta Kotik).  Brooklyn, NY: Brooklyn Museum, 1986.
    Michelle Stuart: Place and Time, exhibition catalogue.  Minneapolis, MN: Walker Art Center, 1983.
    Michelle Stuart: Recent Paintings, exhibition catalogue.  Tokyo: Gallery Ueda, 1987.
    Michelle Stuart: Silent Gardens, the American Landscape, exhibition catalogue. Waltham, MA: Rose Art Museum, Brandeis University, 1988.
    Michelle Stuart: Small Sculptures, exhibition catalogue (essays by Thalia Gouma-Peterson, Karl E. Willers;  catalogue design by Kathleen McManus Zurko).  Wooster, OH: College of Wooster Art Museum;  Kent, OH: Kent State University School of Art Gallery, 1989.
    Michelle Stuart: Voyages, exhibition catalogue (essays by Lawrence Alloway, Judy Collischan Van Wagner).  Long Island, NY: Hillwood Art Gallery, School of the Arts, Long Island University, C.W. Post Campus, 1985.
    Miller-Keller, Andrea.  Michelle Stuart/ Matrix 102, exhibition catalogue.  Hartford, CT: Wadsworth Atheneum, 1988. (Matrix: A Changing Exhibition of Contemporary Art.)
    The Museum of Contemporary Art, Chicago.  Selections from the Permanent Collection, Volume I.  Chicago: The Museum of Contemporary Art, 1984.
    Nahas, Dominique.  Sacred Spaces, exhibition catalogue.  Syracuse, NY: Everson Museum of Art, 1987.
    Nancy Holt, Michelle Stuart: Alaskan Impressions, exhibition catalogue. Anchorage, AK: Visual Arts Center of Alaska, 1986.
    Nelson, Harold B.  Sounding the Depths: 150 Years of American Seascape, exhibition catalogue.  San Francisco: The America Federation of the Arts, Chronicle Books, 1989.
    New Art On Paper, exhibition catalogue.  Philadelphia, PA: The Hunt Manufacturing Co. Collection, Philadelphia Museum of Art, 1988.
    Noll, Anna C.  Earthly Delights: Garden Imagery in Contemporary Art, exhibition catalogue. Cincinnati, OH: The Contemporary Arts Center, 1987.
    Robins, Corinne.  The Pluralist Era: American Art 1968-1981.  New York: Harper and Row, 1984.
    Rogers-Lafferty, Sarah.  Standing Ground: Sculpture by American Women, exhibition catalogue.  Cincinnati, OH: The Contemporary Arts Center, 1987.
    Rosen, Randy and Catherine C. Brawer.  Making Their Mark: Women Artists Move into the Mainstream 1970-1985, exhibition catalogue.  Cincinnati Art Museum.  New York: Abbeville Press, 1988.
    Rubenstein, Charlotte S.  American Women Artists: From Early Indian Times to the Present.  New York: K.G. Hall & Co., 1982.
    Senie, Harriet.  Landscape/Sculpture, exhibition catalogue.  New York: Amelie Wallace Gallery, State University of New York – Old Westbury, 1981.
    Sparks, Esther.  Michelle Stuart, Essence of Place, Paintings, Objects and Drawings from the Earth, exhibition catalogue.  Chicago: The Arts Club of Chicago, 1986.
    Stein, Donna.  “Michelle Stuart's Magical Mystery Garden.”  In Re-Dact: An Anthology of Art Criticism.  Ed. Peter Frank, 173-179.  New York: Willis, Locker & Owens, 1984.
    Stoops, Susan L.  Michelle Stuart, Silent Gardens: The American Landscape, exhibition catalogue.  Waltham, MA: Rose Art Museum, Brandeis University, Waltham, 1988.
    --------.  Michelle Stuart, Ashes in Arcadia.  Environmental room installation in conjunction with exhibit, brochure separate from catalogue, 1988.
    Ueda, Akira.  Michelle Stuart, exhibition catalogue (insert essay by Yusuke Nakahara).  Tokyo: Gallery Ueda Warehouse, April 1984.
    --------.  Michelle Stuart, exhibition catalogue.  Tokyo: Gallery Ueda, November-December 1987.
    Varnedoe, Kirk.  Primitivism in 20th Century Art: Affinity of the Tribal and the Modern, exhibition catalogue.  New York: Museum of Modern Art, 1984.
    Walker, Barry T.  Projects & Portfolios: The 25th National Print Exhibition, exhibition catalogue.  Brooklyn, NY: The Brooklyn Museum, 1989.
    Westfall, Stephen.  Sky Art: Alaska, exhibition catalogue.  Cambridge, MA: Visual Arts Center of Alaska with Center for Advanced Visual Studies, MIT, 1986.
    --------. Nancy Holt/Michelle Stuart: Alaskan Impressions, Environment as Window, exhibition catalogue.  Anchorage: Visual Arts Center of Alaska, 1986.
    Willers, Karl Emil.  The Experience of Landscape: Three Decades of American Sculpture.  New York: Whitney Museum of American Art, 1989.
    --------.  Michelle Stuart: Small Sculpture.  Wooster, OH: The College of Wooster Art Museum, 1989.
    Zelanski, Paul & Mary.  The Art of Seeing.  Englewood Cliffs: Prentice Hall, 1988. (Illustrations 114, 116).
  1990's Bellamy, Peter.  The Artist Project: Portraits of the Real Art World / New York Artists 1981-1990.  New York: IN Publishing, 1991.
    Bloemink, Barbara J.  A Natural Order: The Experience of Landscape in Contemporary Sculpture, exhibition catalogue.  New York: The Hudson River Museum, 1990.
    Brown, Brenda.  Eco-Revelatory Design: Nature Constructed/ Nature Revealed, exhibition catalogue. Landscape Journal, Special Issue, 1998.
    Butler, Cornelia H.  Afterimage: Drawing Through Process, exhibition catalogue.  Los Angeles: The Museum of Contemporary Art in association with the MIT Press, 1999.
    Brody, Jacqueline.  Paper + Works on Dieu Donne Paper, exhibition catalogue.  New York: Dieu Donne Papermill, Inc., 1998.
    --------.  Lineas De Vision, exhibition catalogue in Spanish, Latin American tour, 1990-91.
    --------.  Neuberger Museum of Art 1997 Biennial Exhibition of Public Art, exhibition catalogue.  New York: SUNY Purchase, 1997.
    Caldwell, Susan Havens.  “Michelle Stuart.”  In Dictionary of Women Artists, volume 1.  Ed. Delia Gaze.  London: Fitzroy Dearborn Publishers, 1997.
    Chadwick, Whitney.  “Gender, Race and Modernism after the Second World War.” In Women, Art and Society, 316-354.  New York: Thames and Hudson, 1990.
    Cullen, Deborah.  Strategies of Narration: Fifth International Cairo Biennale, exhibition catalogue.  Cairo: Arts in America, US Information Agency, 1994.
    Divining Nature, exhibition catalogue.  Winston-Salem, NC: Southeastern Center for Contemporary Art, 1998.
    Fariello, Anna and Joan T. Lentczner, eds.  De La Burde: Collection of Contemporary Art.  Radford, VA: Radford University, 1990.
    Finch, Elizabeth.  The (Un) Making of Nature, exhibition catalogue.  New York: The Whitney Museum of American Art, 1990.
    Foreman, Richard.  “Perfumes of Extinction: Michelle Stuart.”  In Michelle Stuart: Natural Histories, exhibition catalogue.  Santa Fe, NM: Bellas Artes, 1996.
    Gamwell, Lynn and Donald Kuspit.  Health and Happiness in 20th-Century Avant-Garde Art.  Ithaca, NY: Cornell University Press, 1996.
    Gelburd, Gail and Geri DePaoli.  The Transparent Thread: Asian Philosophy in Recent American Art. University of Pennsylvania Press, Dist., Hofstra Univeristy & Bard University, 1990.
    Hansen, Trudy V. and Jane Voorhees Zimmerli Art Museum.  Printmaking in America: Collaborative Prints and Presses 1960-1990.  New York: Harry N. Abrams, Inc., 1995.
    Hopps, Walter, et al.  American Images: The SBC Collection of Twentieth -Century American Art.  New York: Abrams, 1996.
    Hunter, Jessie Prichard, Heidi A. Lang, Joan Philpott, eds.  Presswork: The Art of Women Printmakers, corporate collection catalogue.  New York: Lang Communications, 1991.  Text by Trudy Victoria Hansen, Eleanor Heartney.
    Klein, Michael.  Beyond the Mountains: The Contemporary American Landscape.  Boise: Boise Art Museum, 1999.
    Lippard, Lucy.  The Pink Glass Swan.  New York: The New Press, 1995.  (Illustration, 72)
    --------. “Michelle Stuart: The Elements 1973-1979.”  Essay in Michelle Stuart's Readings in Time, 1992.
    Mazeaud, Dominique.  Revered Earth.  New York: Pratt Institute, 1990.
    Memoirs of the American Academy in Rome, Volume 40, catalogue representing work of fellows and residents.  Rome: American Academy in Rome, 1995.
    Michelle Stuart: The Elements 1973-1979, exhibition catalogue.  New York: Fawbush Gallery, 1992.
    Michelle Stuart: Natural Histories, exhibition catalogue.  Santa Fe, NM: Bellas Artes, 1996.
    Morgan, Ann.  North American Women Artists of the Twentieth Century.  Ed. Jules and Nancy Heller.  New York: Routledge, 1997.
    National Academy of Design, 178th Annual Exhibition, exhibition catalogue.  New York: National Academy of Design, 2003.  Also, Designo, exhibition catalogue, 2005.
    Rosenfeld, Daniel.  Terra Incognita: New Directions in American Landscape, exhibition catalogue.  Museum of Art, Rhode Island School of Design, 1990.
    Rubenstein, Charlotte S.  American Women Sculptors: A History of Women Working in Three Dimensions.  Boston: G.K. Hall & Company, 1990.
    Stoops, Susan L.  More Than Minimal: Feminism and Abstraction in the 1970s, exhibition catalogue.  Rose Art Museum, Brandeis University, Waltham, MA, April/June 1996. Contributions by Whitney Chadwick, Kate Linker, Lucy Lippard, Ann M. Wagner.
    Storr, Robert.  On the Edge: Contemporary Art from the Werner and Elaine Dannheiser Collection, exhibition catalogue.  New York: The Museum of Modern Art, 1997.
    Strategies of Narration: Mel Edwards, Faith Ringgold, Juan Sanchez, Michelle Stuart, Kay Walkingstick, exhibition catalogue.  New York: Printmaking Workshop, 1994.
    Tallman, Susan.  The Contemporary Print: From Pre Pop to Post Modern.  London: Thames & Hudson, 1996.
    Walker, Barry T.  Sticks & Stones: Ten Artists Work with Nature, exhibition catalogue.  Katonah, NY: Katonah Museum of Art, 1991.
    Weintraub, Linda.  The Maximal Implications of the Minimal Line, exhibition catalogue.  Annandale-on-Hudson, NY: Edith C. Blum Art Institute, Milton and Sally Avery Center for the Arts, Bard College Center, 1985.
    Wortz, Melinda.  Revered Earth, exhibition catalogue.  Santa Fe, NM: Center for Contemporary Arts, 1990.
    Zelevansky, Lynn.  Sense and Sensibility: Women Artists and Minimalism in the Nineties, exhibition catalogue.  New York: The Museum of Modern Art, 1994: pg. 10.
  2000's Bright, Betty.  No Longer Innocent: Book Art in America 1960-1980.  New York: Granary Books, 2005.
    Casey, Edward S.  “Plotting and Charting the Path: Voyaging to the Ends of the Earth with Michelle Stuart.”  In Earth Mapping: Artists Reshaping Landscape [PP 57-89].  Minneapolis: University of Minnesota Press, 2005.
    --------. Representing Place: Landscape Painting and Maps.  Minnesota: University of Minnesota Press, 2002.
    Devon, Marjorie, ed.  Tamarind: 40 Years.  New Mexico: University of New Mexico Press, 2000.
    Dietrich, Linnea S., and Edna C. Southard.  Marking Time, Making Memory, exhibition catalogue.  Oxford, OH:  Miami University Art Museum, 2001.
    Dowley, Jennifer, and Nancy Princenthal.  A Creative Legacy: A History of the National Endowment for the Arts Visual Artists' Fellowship Program, with introduction by Bill Ivey.  New York: Harry N. Abrams in association with the National Endowment for the Arts, 2001.
    Fairbrother, Trevor.  On Paper: Masterworks from the Addison Collection (foreword by Adam D. Weinberg).  Andover, MA: Addison Gallery of American Art, Phillips Academy, 2004.
    Heartney, Eleanor.  City Art: New York's Percent For Art Program, with introduction by Adam Gopnik.  New York: Merrell Publishers in association with the New York City Department of Cultural Affairs, 2005.
    Longwell, Alicia G.  North Fork/South Fork, East End Art Now, exhibition catalogue.  Southampton,       NY: The Parrish Art Museum, 2004.
    Monem, Nadine, ed.  Contemporary Textiles: The Fabric of Contemporary Art, exhibition catalogue.  London: Black Dog Publishers, 2008.
    Rankin, Lissa. Encaustic Art: The Complete Guide to Creating Fine Art with Wax, New York: Watson-Guptill Publications, 2010.
    Stein, Donna.  Rags to Riches: 25 years of Paper from Dieu Donne Papermill.  Ed. Mina Takahashi.  New York: Dieu Donne Papermill, 2001.
     

 

- SELECTED REVIEWS & ARTICLES
  1970's Alloway, Lawrence.  “Michelle Stuart: A Fabric of Significations.” Artforum 10.5 (January 1974): 63-66.
    Artner, Alan G.  “Art.”  The Nation, December 9, 1978:  653.
    --------.  “The Fall: A Book Review.” Art-Rite 14 (Winter 1977): 41.
    Arnaudet, Didier.  “Michelle Stuart,” exhibition brochure.  CACP Aquitaine 362, France (1978).
    --------.  “Portraits and Drawings in Pleasing Perspective.”  Chicago Tribune, March 20, 1977: Arts & Fun.
    Bell, Jane.  “Drawing Now: Ten Artists.”  Artnews (September 1976).
    Betz, Margaret.  “Reviews.”  ARTnews, September 1976.
    Boorsch, Suzanne.  “New Editions.”  ARTnews (January 1978).
    Bourdon, David.  “Three Women Manipulate Geometry, Earth and Old Masters.”  The Village Voice, 14 November 1976.
    Brody, Jacqueline.  “Artist’s Books: Michelle Stuart, The Fall.”  Print Collector’s Newsletter, March/April 1977, vol 8.1.
    --------.   “Prints and Photographs Published.”  Print Collector’s Newsletter, January/February 1978, vol 8.6.
    --------.  “Multiples and Objects.”  Print Collector’s Newsletter, March/April 1978, vol 9.1.
    Burnside, Madeleine.  “Works on Handmade Paper.”  ARTnews, November 1976: 138-39.
    Cavaliere, Barbara.  “Drawing Now.”  Womanart, Fall no. 2, 1976.
    Cotter, Holland.  “Art Reviews.”  New York Arts Journal 1.3 -1.4 (December to March 1977).
    Day, Holliday T.  “Review.”  New Art Examiner (January 1977).
    deAk, Edit.  “Michelle Stuart.”  Art-Rite No. 5 (Spring 1974): 13-14.
    Derfner, Phyllis.  “The New York Letter.”  Art International (April 1974): vol. 1.3-1.4,
    --------.  “The New York Letter.”  Art International-Art Spectrum (May 1975): vol 19.5.
    Fagan, Beth.  “Artist Marks Summer Solstice in Stone.”  The Oregonian, July 6, 1979.
    Francblin, Catherine.  “Michelle Stuart Traverses d’Espace.”  Art Press International #35 (March 1977).
    Frank, Peter.  “Review.”  Womanart (Winter/Spring 1977): 44-45.
    --------.  “On Art.”  Soho Weekly News, February 28, 1974, 12.
    --------.  “Reviews and Previews.”  ARTnews (September 1973):  82-83.
    --------.  “Out of Character and Down for the Count.”  Village Voice, January 23, 1978.
    Heinemann, Susan.  “Reviews.”  Artforum 13.10 (Summer 1975).
    Henry, Garrit.  “Paper in Transition.” Print Collector's Newsletter (July/August 1979): 83-86.
    Hobbs, Robert.  “Michelle Stuart: Atavism, Geomythology and Zen.”  Womanart 1.4 (Spring/Summer 1977): 6-11.
    Januszczak, Waldemar.  “Michelle Stuart.”  The Guardian, ICA, London, UK. 25 September 1979.
    Kingsley, April.  “Reviews.”  Artforum 11.7 (1973).
    --------.  “The New York Letter.”  Art International 17.6 (1973).
    --------.  “The New York Letter.”  Art International 17.8 (1973).
    --------.  “Review of Exhibitions.”  Art in America 62.3 (May/June 1974).
    --------.   “Pictures and Picture Books.”  The Soho Weekly News 7 April 1977.
    --------.  “Six Women at Work in the Landscape.”  Arts 52.8 (1978): 108-112.
    --------.   “Planes…in…Space.”  The Village Voice 16 April 1979: 14.
    --------.  “Peaceful Contemplation, Violence and Grandeur.”  Soho Weekly News May 1976.
    --------.  “On Art.”  Soho Weekly News 4 November 1976.
    Krauss, Rosalind.  “Notes on the Index: Seventies Art in America, part 2.”  October (August 1977):  58-67.
    Larson, Kay.  “Beyond the Canvas…Artists Books and Notations.”  ARTnews (January 1979).
    Lifson, Ben.  “A Few Rites and a Little Spring.”  The Village Voice, May 7, 1979.
    Lippard, Lucy. “A New Landscape Art.”  MS Magazine (April 1977).
    --------.  “Art Outdoors: In and Out of the Public Domain.”  Studio International 193.2 (March/April 1977).
    --------.  “Quite Contrary: Body, Nature, and Ritual in Women's Art.”  Chrysalis #2 (1977).
    --------.  “Surprises: An Anthological Introduction to Some Women Artists’ Books.”  Chrysalis #5 (1977).
    Lubell, Ellen.  “Art Reviews.”  Arts 48.8 (April 1974).
    --------.  “Art Reviews.” Arts 49.9 (May 1975).
    --------.  “Interrupted Thoughts.”  Soho Weekly News 30 November 1978.
    --------.  “Mid- Winter Melange: Three Artists' Books.”  Soho Weekly News 12 January 1978
    --------.  “Figures.”  Soho Weekly News 19 April 1979.
    --------.  “Michelle Stuart: Icons from the Archives of Time.”  Arts (June 1979): 122.
    Noey, Christopher.  “Stuart Landscapes Sensual.”  Berkshire Eagle 20 April 1976: 4-5.
    Perreault, John.  “Review.”  Soho Weekly News 17 April 1975.
    Perry, Art.  “Strata Exhibit Moves from Burlesque to Sublime.”  Province 21 October 1977.
    Post, Henry.  “Rock Pounding: Guggenheim-CAPS winner Michelle Stuart.”  Soho Weekly News 1 May 1975: 17.
    Rapp, Jacqueline.  “Michelle Stuart.”  New Art Examiner November 1978.
    Reeves, Jean.  “Artist Seeks Essence of Ancient Falls Path.”  Buffalo Evening News 16 July 1975.
    --------.  “Sculpture That Shows Dance of Water Highlights, Kenan Center Feminist Exhibit.”  Buffalo Evening News, November 29, 1972.
    --------.  “Review.”  Buffalo Evening News, August 6, 1975, feature page.
    Robins, Corinne.  “Michelle Stuart.”  Arts (October 1976).
    --------.  “Michelle Stuart: The Mapping of Myth and Time.”  Arts (December 1976).
    --------. “Michelle Stuart: Die Kartographierung von Mythos und Zeit.”  Flash Art (May/June 1978).
    --------.  “The Paper Surfaces of Michelle Stuart.”  Art International (December 1979): 62-66.
    Schwartz, Emanuel K., and Rita Shacknve Schwartz.  “NO-Art: An American Psycho-Social Phenomenon.”  Leonardo (Summer 1971): 245-254.
    Schjeldahl, Peter.  “Review.”  The New York Times, August 20, 1972.
    Schulze, Franz.  “Art.”  Chicago Sun-Times, October 15, 1978.
    Schwartz, Emanuel K. and Rita Shacknve Schwartz.  “NO-Art: An American Psycho-Social Phenomenon.”  Leonardo (Summer 1971): 245-54.
    Smallwood, Lyn.  “Michelle Stuart's ‘Primitivism’ Merges Art With Nature.”  Artpages Seattle, WA 1979.
    Sutinen, Paul.  “Sunlight and Stones: Celebrating the Summer Solstice with an Artwork Timepiece.” Willamette Week Portland, OR 30 July 1979: 7, 10.
    Timberlane, Polly.  “Sun Alignment at Rowena Plateau Marks Solstice.”  Kaleidoscope 28 June 1979.
    Wescott, Hanne.  “Michelle Stuart.”  Kunstforum International (May/August 1981).
    Willig, Nancy Tobin.  “UB Show a Study in Minimalism.”  Courier Express, February 2, 1976.
    Wilson, William L.  “Michelle Stuart's Green River, Massachusetts Variations: The Mapping of Time, Place, and Season  in Books Without Words.”  Print Collector's Newsletter (November/December 1977): 134-36.
    --------.  “The Galleries: A Critical Guide.”  The Los Angeles Times 26 October 1979.
  1980's Addington, Fran.  “Looking at Art: Photos Bring Artistic Influence into Focus.” Minneapolis Tribune 15 May 1983.
    Artner, Alan G.  “Michelle Stuart.” Chicago Tribune  21 March 1986: Sec 7, pg. 52.
    --------.  “Michelle Stuart Makes Earth Live in Her Work.”  Chicago Tribune 14 January 1988: Sec. 5, Tempo 11C.
    --------.  “Capital Exhibits Fill Washington’s Art Calendar.”  Chicago Tribune, March 29, 1981:  Arts & Books.
    Barasch, Amy.  “Michelle Stuart: Art.”  7 Days, November 1, 1989: 68.
    Bois, Yve-Alain.  “La Pensee Sauvage: Primitivism in 20th Century Art.”  Art in America 4 (April 1985): 178.
    Bonetti, David.  “Second Nature: Michelle Stuart’s Art of the Earth.”  Boston Phoenix, section 3, April 1988.
    Brenson, Michael.  “Michelle Stuart.”  The New York Times, April 18, 1986.
    Brody, Jacqueline.  “Reviews.”  Print Collector’s Newsletter, May/June 1987, vol 18.2.
    --------.  “Reviews.”  Print Collector’s Newsletter, September/October 1983, vol 15.4.
    --------.  “People and Places:  Stuart, Galerie Ueda, Tokyo.”  Print Collector’s Newsletter, July/August 1984, vol 14.3.
    --------.  “Michelle Stuart: Islas Encantadas Series.”  Print Collector’s Newsletter, July/August 1982, vol 20.3.
    --------.  “Michelle Stuart.”  Print Collector’s Newsletter, September/October 1989, vol 20.4.
    Castle, Ted.  “Verbal Art Speaks Up.”  Flash Art, no. 100, November 1980.
    Clothier, Peter.  “Reading the Earth.”  Artweek 17.32 (November 1986): 5.
    Elek, Cynthia.  “Environmental Works Take Hold.”  Anchorage Times, July 27, 1986.
    Forgey, Benjamin.  “Michelle Stuart at Kornblatt.”  Washington Post, April 23, 1988, Section D2.
    Gallasi, Susan Grace.  “Color and Surface.”  Arts (March 1980).
    Henry, Garrit.  “Michelle Stuart: Navigating Coincidence.”  Print Collector's Newsletter 18.6 (January/February 1988): front page illustration, 193-95.
    Kingsley, April.  “Public Acres of Art: Artpark and the Leisure Landscape.”  Art Express 2.3 (May/June 1982).
    Kotik, Charlotta.  “Paradise in the Grand Lobby.”  The Brooklyn Museum Bulletin April 1986.
    Larson, Kay.  “Review.”  New York Magazine 28 April 1986: 96.
    Linn, Nancy.  “Woman Artists’ Books.”  Woman’s Art Journal (Spring/Summer 1982).
    Lipsey, Roger.  “Michelle Stuart: A Decade of Work.”  Arts 56.8 (April 1982): 110-111.
    Lovelace, Carey.  “Michelle Stuart's Silent Gardens.”  Arts 63.1 (September 1988): 76-79.
    --------.  “Art: Michelle Stuart.”  New Manhattan Review 14 May 1986: 26.
    Lozowick, Louis.  “Colors and Surface.”  Arts (1980): 28-29.
    Lubell, Ellen.  “Michelle Stuart at Susan Caldwell.”  Art in America (May 1982): 142-145.
    Martin, Mary Abbe.  “Paper Art Exhibit Has Wide Range.”  Minneapolis Star Tribune September 29, 1985: Arts.
    Mc Nally, Owen.  “Artist Cultivates Silent Gardens.”  The Hartford Courant Connecticut Living 16 September 1988: Section D.
    Nesbitt, Perry.  “The New Culture: Women Artists of the Seventies.”  Dialogue (March 1985).
    Ostrow, Joanne.  “16 Artists share a show at the Hirshhorn.”  The Washington Post 13 February 1981.
    Patterson, Tom.  “Visual Art, Natural Wonder.”  Winston-Salem Journal 31 May 1998: E4.
    Phillips, Patricia C.  “A Blossoming of Cells.”  Artforum (October 1986): 116-117 (detail image on cover).
    Reed, Glen.  “Michelle Stuart Patches Together An Art of Nature.”  Sunday Camera, July 21, 1985.
    Richard, Patrick.  “Going in All Directions.”  The Washington Post, February 12, 1981.
    Rickey, Carrie.  “Curatorial Conceptions: The Hirshhorn—Dangerous Curves Ahead.”  Artforum (April 1981).
    Riley, Jan.  “Ars Longa Vita Brevis.”  Dialogue: An Art Journal (July/August 1987).
    Selz, Peter.  “Alternative Esthetics: Quests for Spiritual Quintessence.”  Arts (October 1987): 46-49.
    Silver, Joanne.  “Stuart Offers a Compelling World View.”  The Patriotic Ledger, Quincy, MA 23 April 1988.
    Silverthorne, Jeanne.  “Reviews, P.S. I.”  Artforum 20 (March 1982).
    Smith, Mary Treynor.  “Cultural Record Offers Oasis at Joslyn.”  Omaha Sun News, July 1, 1981.
    Stein, Donna.  “Michelle Stuart's Magical Mystery Garden.”  In Re-Dact: An Anthology of Art Criticism.  Ed. Peter Frank, 173-179.  New York: Willis, Locker & Owens, 1984. 
    Stoops, Susan L.  “Michelle Stuart, Silent Gardens: The American Landscape.”  Rose Art Museum, Brandeis University, Waltham, MA. 20 March 1988.
    Van Proyen, Mark.  “The Hieroglyphics of Ambivalence.”  Artweek, October 1986, vol 17.32.
    Westfall, Stephen.  “Melancholy Mapping.”  Art in America 2 (February 1987): 104-108.
    Wilson, William L.  “Michelle Stuart and Jackie Ferrara.”  Los Angeles Times 22 April 1983.
    Withers, Josephine.  “Modernism Atomized at the Hirshhorn.”  New Art Examiner (April 1981): 11.
    Wolff, Theodore F.  “The Many Masks of Contemporary Art.”  Christian Science Monitor 19 January 1982.
  1990's Bell, Clare.  “Tulip Times.” On Paper vol. 2 no. 6 (July-August 1998): 10-14.
    Bensley, Lis.  “Using the Earth Itself to Create Botanical Art: Stuart’s Metaphorical Statement.” Pasatiempo: the Santa Fe New Mexican 9 August 1996.
    Braff, Phyllis.  “Michelle Stuart: Blending Media and Memory in Punchy and Original Ways.”  The New York Times, 14 June 1998, Arts section, national Sunday edition.
    ---------.  “Masters XI: Fine Arts Gallery, LIU.”  The New York Times, September 7, 1997, Long Island Weekly Section.
    Cohen, Mark Daniel.  “Michelle Stuart: Natural Histories.”  Review, 1 November 1997: 36, 38.
    Cotter, Holland.  “Art in Review.”  The New York Times 6 November 1992.
    Eauclaire, Sally.  “Reviews, Santa Fe: Michelle Stuart.”  ARTNews (December 1993): 142.
    Gomez, Edward M.  “Improvized Images in Molten Wax, as Fluid as Jazz: Waxing Poetic at the Montclair Museum.”  The New York Times, May 16, 1999.
    Gregg, Gail.  “Natural Selection.”  ARTnews (March 1999): 98-99.
    Griffin, Tim.  “Reviews: Land Marks.”  TONY 9 October 1997: 50.
    Harris, Susan.  “Review of Exhibitions, Michelle Stuart at John Weber.”  Art in America 86.1 (January 1998): 93-94.
    Harrison, Helen A.  “Art: Sculptures That Blend With Environment, Footfalls.”  The New York Times, August 3, 1997, Long Island Weekly.
    Hess, Elizabeth.  “Art: Wax Poetic, Michelle Stuart.”  The Village Voice, April 5, 1994.
    Hill, Shawn.  “Feminism Exhibit is ‘More Than Minimal.”  Cambridge Tab, June 4, 1996.
    Johnson, Ken.  “Art in Review: Michelle Stuart.”  The New York Times 31 October 1997: E35. Also, condensed in The New York Times, November 1997.
    Kimmelman, Michael.  “Reviews/ART: Katonah.”  The New York Times, August 9, 1991.
    Klein, Michael.  “Michelle Stuart, John Weber Gallery.”  Sculpture Magazine 17.2 (February 1998):  66-67.
    Larson, Kay  “Summer Stock, Katonah Museum.”  New York Magazine, September 2, 1991.
    Lovelace, Carey.  “Vagabonds in Fiji and Breakfast in Derry.”  ARTnews (November 1994): 144-145.
    Mirs, Jana.  “Michelle Stuart,” MFA thesis, Northern Illinois University, IL 1998.
    Moorman, Margaret.  “Disparate Delicacies Bloom In 'Transparent Thread.’”  Newsday 5 October 1990: Art and Events section.
    Pagel, David.  “Art Review: ‘Afterimage’ Reviews Artists Making Rational Art on Paper.”  Los Angeles Times, April, 21 1999.
    Perrott, Jeff. “More Than Minimal: Feminism and Abstraction in the Seventies, MORE IS MORE.”  artsMEDIA June 1996.
    Phillips, Patricia C.  “Michelle Stuart.”  Artforum 31.6 (February 1993): 99.
    Princenthal, Nancy.  “Review of Exhibitions: Michelle Stuart at Fawbush.”  Art in America 7 (July 1994): 85.
    Reed, Ollie.  “Nature, Inner Dialogue Influenced Artist.”  Albuquerque Revuew, February 16, 1993.
    Reid, Deta.  “Travels Through Time: The Visual Poetry of Michelle Stuart,” a thesis for Masters for Art, Dartmouth College, Hanover, New Hampshire, May 1993.
    Sansegundo, Sheridan.  “Michelle Stuart: Artist of Time and the Elements.”  The East Hampton Star, June 4, 1998: The Arts, III-1 , III-5.
    Scheer, Elaine.  “The Map is Not the Territory.”  National Council on Education for the Ceramic Arts Journal (1990-1991): 64.
    Sherman, Mary.  “Subtly Crafted ‘Airborne’ Works Pack Strong Message.”  Boston Sunday Herald 10 July 1994: 49.
    Slivka, Rose C.S.  “From the Studio.”  The East Hampton Star, April 22, 1999.
    Stapen, Nancy.  “Feminism Meets Minimalism: Art Review ‘More Than Minimal,’ Rose Art Museum.”  The Boston Globe, April 30, 1996: Living/Arts section.
    --------.  “More than Minimal: Feminism and Abstraction in the ‘70’s.”  ARTnews (September 1996): Reviews/National section.
    Stavitsky, Gail.  Waxing Poetic: Encaustic Art in America.  Camden, NJ: Rutgers University Press, 1999.
    Stoops, Susan L.  “Michelle Stuart: A Personal Archeology.”  Woman's Art Journal 14.2 (Fall1993/Winter 1994): 17-21.
    Tobin, Richard.  “Michelle Stuart: Natural Histories.”  THE Magazine, Santa Fe October 1996: 53.
    Unger, Miles.  “Mario Diacono Gallery, Boston: Airborne/Earthbound.”  Art New England (October/November 1994): 66.
    Walcott, Ellison Austen.  “Exhibitions: Michelle Stuart, Natural Histories.”  NY 1 November 1997: 38.
    Wasserman, Krystyna.  “Book as Art XI: Inside the Artist’s Book.”  Women in the Arts (Fall 1999), National Museum of Women in the Arts, Washington, DC.  Also as a catalogue, Book As Art XI.
    Wilson, MaLin.  “Critical Reflection.”  THE Magazine, Santa Fe, July 1992.
    Zimmer, William.  “Landscape: The Site, the Meaning of Place.”  The New York Times 9 August 1998.
  2000's Boettger, Suzann.  “Excavating Land Art by Women in the 1970s: Discoveries and Overtures.”  Sculpture Magazine vol. 27, no. 9 (November 2008).
    Harrison, Helen A.  “Art Reviews: Michelle Stuart, Silent Fields.”  The New York Times, September 15, 2002, Long Island Weekly, 9.
    Landes, Jennifer.  “Opinion: Then & Now.”  East Hampton Star, December 13, 2007.
    Ruyak, Jacqueline.  “Dieu Donne Paper Art Exhibition Traveling.”  Fiberarts 29.3 (November/December 2002): image.
    Ruzicka, Joseph.  “Essential Light: The Skies of Michelle Stuart.”  Art in America (June 2000): 86-89.
    Smith-Llera, Danielle.  “Michelle Stuart: and the Art of Synthesis.”  Unpublished MFA research paper, Old Dominion University Norfolk, VA, 2000.
    Sorkin, Jenni.  “Decoys, Complexes, Triggers: The Sculpture Center.”  Frieze Magazine 118 (10 November 2008).
    Stein, Donna.  Rags to Riches: 25 years of Paper from Dieu Donne Papermill.  Ed. Mina Takahashi.  New York: Dieu Donne Papermill, 2001.
    Villareal, Ignacio.  “Disegno: The 180th Annual Exhibition, National Academy Museum.”  Artdaily.org (June 1, 2005), http://www.artdaily.com/indexv5.asp?int_sec=11&int_new=13853.
     

 

- SELECTED INTERVIEWS
  Interviews With Women in the Arts.  New York: School of Visual Arts, 1976.
  Kurtz, Bruce.  “Paul Tschinkel's Artifacts.”  Cable Channel J NY, 1976.
  Beal, Graham W. J.  “Interview.”  Profile 1983.
  --------.  “On Art and Artists: Michelle Stuart.”  Profile Series, Video Data Bank School of the Art Institute, Chicago, 1983.
  Horsfield, Kate.  “On Art and Artists: Michelle Stuart.”  Profile 1983.
  Stoops, Susan L.  “Michelle Stuart: Video Interview.”  March 1988.
  Crumplin, Colin.  Artist Colin Crumplin interviews Michelle Stuart in her studio.  Edited transcript, November 1996.  Unpublished.
  Braderman, Joan.  The Heretics.  Joan Braderman, writer and director.  Crescent Diamond, producer.  No More Nice Girls Productions, 2009.
   

 

- SELECTED BOOKS & TEXT BY MICHELLE STUART
  The Nets by Paul Blackburn.  New York: Trobar Books, 1961.   Cover by Michelle Stuart.
  “NO is an Involvement.”  Artforum (September 1963): 36-37.
  In On or About the Premises by Paul Blackburn.  London: Cape Goliard Press, 1968.  Illustrated by Michelle Stuart.
  Interviews With Women in the Arts Part II.  New York: Tower Press,  School of Visual Art, 1976.  Illustrations, pp 37-39 School of Visual Arts.
  The Fall.  New York: Printed Matter, Inc., 1976.